活動訊息：千百億化身-子問佛像創作世界巡迴展
一、主辦單位：
佛光山文教基金會、佛光緣美術館總部
二、承辦單位：
馬來西亞佛光山東禪寺、佛光山屏東講堂、
佛光緣美術館總館、佛光山惠中寺、
佛光山台北道場、香港佛光道場
三、協辦單位：
一國際創藝有限公司
四、展覽地點：
馬來西亞東禪館、佛光緣美術館屏東館、佛光緣美術館總館、佛光緣美術館台中館、佛光緣美術館台北館、佛光緣美術館香港館
五、展覽時間：
（一）佛光緣美術館東禪館：2015年2月14日-4月12日
（二）佛光緣美術館屏東館：2015年6月13日-8月2日
（三）佛光緣美術館總 館：2015年8月8日-10月4日
（四）佛光緣美術館台中館：2016年1月30日-3月10日
（五）佛光緣美術館台北館：2016年5月7日-6月19日
（六）佛光緣美術館香港館：2016年7月24日-9月10日
→展覽簡介
子問名稱的由來
佛子”是比喻未成佛之人。
“問”代表謙卑、臣服、尋問（找）之意。
“菩提”即是成佛之路。
佛陀曾說每個人都有成佛的種子，
子問在生活中透過修行體悟到通往成佛之路必須具備一顆謙卑、臣服之心。
希望能藉由相的創作來傳達理念。
“Arhat” is one who is on the path to becoming a Buddha;
“To ask” denotes humility, submission, inquiry and pursuit;
“Bodhi” is the way to becoming a Buddha.
Buddha once said that everyone has the potential of becoming a Buddha. As an Arhat, I discovered and realized that a humble and obedient heart is required to attain Buddhahood with daily practice in hopes of communicating ideas through creation.
我想，這一生跟泥巴緣分特別的深。
在鄉間長大的孩子，自然與泥土、大地特別親近。早期因緣際會下遇見啟蒙老師林韋龍，經由老師影響開始學習陶藝與雕塑技法，以陶土為塑型基底素材，陶土的觸感對於我來說更是親切毫無距離。在學習技法同時，也跟隨林韋龍老師修行禪坐，漸漸悟得空性的真義，也發現自己的潛能，於是開始走向獨立創作之路。
修行中的過程更是體會到, 幾千年來，佛(宗)教的定義以及對”相”的看法與認知，已經在世人心中留下了一定的”規則”，就如同造像亦有一定的比例；但佛的真實，亦是「無限的」。如果是無限的，那格局與空間大，可想而知。若造像也是無限規則呢？由此產生的此次破相而造像之創作靈感。希望能讓人們放下”規則”，而得到無限寬廣的真實與真理。
緣起性空，感謝內在的佛性，回歸最初的寧靜。星雲大師說:空中生妙有。林韋龍老師說過～靜心是創造力的源頭。
當靜心時，意識進入了深層的寧靜，身、心、靈融入自然中的能量、頻率！那是最自然、最原始的振動。澔翰宇宙的轉動，空中妙有的驚鴻一瞥，變化萬千、各式各樣讓人驚嘆的光能，但最為常見也最有感覺的白光(白織光)，就是那道光～充滿愛、真誠、智慧、感謝的白織光～引發了此展覽的創作靈感。利用不銹鋼的表面拋光處理，呈現在佛像的創作作品上，用一種不同以往的創作手法來詮釋「佛」的精神領域。
另一種創作靈感取自於”金剛經”，鐵百鍊成鋼，由如金剛菩提心的堅固，不退轉的信心，精進提昇。修心(行)一直是通往內在的途徑，然而不銹鋼經處理後，表面呈現如鏡子般的反射，正是作品中詮釋「佛」慈悲與精神的投射。
當人們見到佛像的同時，也體悟到精神與慈悲。更從反射中看見自己亦是「佛」，見佛如見己，進而發現自己內在的佛性與佛，無二無別。生活即是修行~”放下”。不執著的思想，體驗創作中的另一種感動，那種深植人心、無法言喻的感動。創作原是件自由自在的放下，呈現最真最無限的存在。
Artist’s Preface
I believe that I was meant to work with clay.
Growing up in the countryside, I had easy access to clay and soil. In my early years, I was lucky to have Lin Wei-long as my first teacher. He influenced me as I began to learn ceramic artand sculpture. As a basic material for shaping, clay is quite valuable to me. I also followed Master Lin Wei-long and practiced meditation. Gradually, I became enlightened about the real meaning of emptiness and found my potential to create independently.
By practicing Buddhism, I realized that.For thousands of years, the definition of Buddhism and its views and perceptions on “phase” have left certain kinds of “rules” in people’s memory, just like how sculpturing also follows certain kinds of proportion rules. However, the true phase of Buddha is also “infinite”. In this case, you can imagine how infinite the structure and space will be. What if sculpturing should be infinite? Inspired by this, the sculpture is generated by the infinite phase, hoping people can forget rule and get infinite truth and philosophy.
All causes originate from emptiness. One should appreciate the inner divinity and Buddhata to bring him to the original serenity. Venerable Master Hsing Yun says,"Emptiness can give rise to wonderful existence." Master Lin Wei Long said that “meditation is the origin of creativity”.
In meditation, your consciousness will penetrate into a deep serene state, and your body, mind and soul will be integrated into the energy and frequency of nature! It is the most natural and original feeling. Rotating with the grand universe, you will see a variety of changing lights in a glance, but the most common and impressive one is incandescence. A flash of incandescence full of love, sincerity, wisdom and gratitude gives creative inspiration to the exhibition. The Buddha images made use of polished stainless steel to interpret the spiritual realm of Buddha with a totally new method.
Another creative inspiration is derived from the Diamond Sutra. Iron is toughened and hardened into steel, which is as firm as the diamond Bodhicitta. Only with irreversible confidence can you advance and improve yourself. Cultivating both mind and behavior is always the means to inherence. After processing, the stainless steel surface reflects light like a mirror, which symbolizes the projection of mercy and spirit of Buddha.
When visualizing Buddha images, you can not only feel the spirit and mercy, but also view yourself as Buddha through projection. Visualizing Buddha is visualizing yourself. Then you will find that your inner Buddhata is the same as Buddha’s. Life is a practice of release. Releasing the obsession, you will feel another moving sensation which is deep in the mind and unspeakable. Creation is to release freely and present the most infinite existence.
→經 歷
1972 南投縣.台灣出生
2000 師承雕塑藝術家林韋龍老師
2000 擔任養泥工作室之雕塑/陶藝助理
2002 受聘於中國大陸西省西安市/藝境工作室之雕塑彩繪設計師
2004 參與靈鷲山寺系列佛像雕塑
2006 任職於宇如藝術國際有限公司/設計師
2010 榮獲2010台灣工藝競賽/創新設計組入選獎
2010 榮獲2010台灣優良工藝入選獎
2011 榮獲2011台灣工藝競賽/傳統工藝組入選
2011 應邀全德佛教事業機構/藝文中心展出
2011 邀請展於礁溪老爺大酒店:銅雕藝術雙聯展
2011 應邀雲南昆明市“心者無疆-與佛對話” 展出
2011 應邀香港九龍裕華國產百貨/台灣文創藝品展
2012 獲邀涵碧樓大飯店/會員日雕塑展出
2012 應邀全德佛教事業機構/藝文中心展出
2012 受邀日本真如苑佛教會執行製作佛像作品
2013 應邀台中秋山堂/藝文中心展出
2013 獲邀佛光緣美術館/台南館展出
2014 應邀台中秋山堂/藝文中心展出
2015 獲邀佛光緣美術館馬來西亞東禪館/屏東館/總館/台中館/台北館/香港館等 國內外巡迴展
1972 Born in Nantou County, Taiwan.
2000 Served as a sculpture/pottery assistant at Vivid Clay Studio.
2002 Was appointed as a sculpture and colored drawing designer at Artistic Realm Studio in Xi’an City, Shaanxi Province, China.
2004 Was involved in the Buddha Statue series in the temple on Griddhraj Parvat.
2006 Served as a designer at the Yu-ru Art International Co., Ltd.
2010 Won the Honorary Mention of Innovative Design Group at the Taiwanese Craft Contest in 2010.
2010 Won the Honorary Mention at the Taiwanese Fine Workmanship in 2010.
2011 Won the Honorary Mention at the Traditional Handicraft Group in Taiwanese Craft Contest in 2011.
2011 Was invited by the Chuan-Der Buddhist Art Organization to exhibit works in the Arts Center.
2011 Was invited by the Double Tripod for Art Exhibition Company to exhibit works in Hotel Royal Chiao Hsi.
2011 Was invited by the “Boundless Heart – Talks with Buddha” in Kunming, Yunnan to exhibit his works.
2011 Was invited by the Long Yuhua Domestic Department in Kowloon, Hong Kong to showcase his works at the “Taiwanese Cultural and Creative Arts Exhibition”.
2012 Was invited by the Lalu Sun Moon Lake for the VIP Day Sculpture Exhibition.
2012 Was invited by the Chuan-Der Buddhist Art Organization to exhibit his works at the Arts Center.
2012 Was invited by the Japanese Shinnyo-en Buddhist to carry out the production of Buddha works.
2013 Was invited by the Taichung Akiyama Hall to exhibit his works at the Arts Center.
2013 Was invited by the Fo Guang Yuan Art Gallery to the Tainan Betsuin Exhibition.
2014 Was invited by the Taichung Akiyama Hall to exhibit his works at the Arts Center.
2015 Invited by Fo Guang Yuan Art Gallery to join the international tour exhibitions in Malaysia Dong Chan Gallery, Pingtung Gallery, Kaohsiung Gallery, Taichung Gallery, Taipei Gallery and Hong Kong Gallery in 2015.
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